Manos del Inca
Manos del Inca — Hands of the Inca
Some crafts are not learned. They are inherited.
Manos del Inca is a piece that could only have been born in Peru.
In the ancient tradition of Peruvian silversmithing — a lineage that predates the Inca themselves — silver is a sacred material. The tears of the moon and the luminous counterpart to gold, which the Inca called the sweat of the sun. To work with silver was to work with lunar medicine with the feminine, the reflective, the deep and the cyclical.
This pendant is crafted in 925 sterling silver — purified, refined and made workable in the ancient Peruvian tradition of melting pure silver with copper. Not to dilute it but to give it life. To make it malleable enough to be shaped by sacred hands into something the raw material alone could never become.
This is the alchemy of the Inca silversmith — knowing that strength sometimes requires softening, that the most enduring things are made not through force but through the intelligence of working with the nature of the material rather than against it.
The setting itself is a masterwork of ancestral craft. Braided silver rope winds around the stone like the sacred cord of the Inca — the quipu, the knot that held memory, that carried meaning, that connected one world to another. Sacred leaf motifs rise on either side — the living earth held within the metal and the jungle encoded in silver. A single crystal drop hangs at its base like a dewdrop and like a prayer bead.
And at the heart Chrysocolla. Vast, luminous and utterly alive. Deep teal and jungle green swirling together like the surface of a sacred river, with a bolt of white lightning running through its centre — the strike of vision, of clarity, of the moment truth arrives and cannot be unseen.
It hangs on a dark braided leather cord, its essence is earthy, grounded, ancient. The cosmic stone and the medicine of the earth, united in a single piece.
Chrysocolla carries the medicine of:
✧ Embodied truth & sovereign authentic expression
✧ Deep peace & emotional clarity
✧ Unlocking the voice of wisdom & heart-led purpose
✧ Walking in right relation with the earth & all of life
✧ Empowerment through alignment with one’s truth
✧ Creating sanctuary within oneself and for others
Silver carries the medicine of:
✧ Lunar energy & the sacred feminine within all beings
✧ Reflection — seeing oneself and the world with clarity
✧ Purification & cleansing of the energy field
✧ Amplifying the medicine of every stone it holds
✧ Ancient protection & the wisdom of the moon cycles
✧ Conducting healing energy directly into the body
✧ The tears of the moon — emotional depth & intuition
Manos del Inca was channelled for the queen and the king who feel the pull of ancient lineages. Who recognise in this piece something they cannot entirely explain — a familiarity, a resonance, a sense of having held something like this before in another time, another body, another lifetime in the highlands of Peru.
This piece asks only one thing — Remember where you come from.
Before leaving our hands, each piece is cleansed with mapacho, anointed with Agua Florida, and blessed through the sacred smoke of palo santo and copal — arriving to you already held, already blessed, already alive.
This is a lineage carried forward through sacred hands, ancient silver and the living memory of a craft that was never just craft. It was always ceremony.
Manos del Inca — Hands of the Inca
Some crafts are not learned. They are inherited.
Manos del Inca is a piece that could only have been born in Peru.
In the ancient tradition of Peruvian silversmithing — a lineage that predates the Inca themselves — silver is a sacred material. The tears of the moon and the luminous counterpart to gold, which the Inca called the sweat of the sun. To work with silver was to work with lunar medicine with the feminine, the reflective, the deep and the cyclical.
This pendant is crafted in 925 sterling silver — purified, refined and made workable in the ancient Peruvian tradition of melting pure silver with copper. Not to dilute it but to give it life. To make it malleable enough to be shaped by sacred hands into something the raw material alone could never become.
This is the alchemy of the Inca silversmith — knowing that strength sometimes requires softening, that the most enduring things are made not through force but through the intelligence of working with the nature of the material rather than against it.
The setting itself is a masterwork of ancestral craft. Braided silver rope winds around the stone like the sacred cord of the Inca — the quipu, the knot that held memory, that carried meaning, that connected one world to another. Sacred leaf motifs rise on either side — the living earth held within the metal and the jungle encoded in silver. A single crystal drop hangs at its base like a dewdrop and like a prayer bead.
And at the heart Chrysocolla. Vast, luminous and utterly alive. Deep teal and jungle green swirling together like the surface of a sacred river, with a bolt of white lightning running through its centre — the strike of vision, of clarity, of the moment truth arrives and cannot be unseen.
It hangs on a dark braided leather cord, its essence is earthy, grounded, ancient. The cosmic stone and the medicine of the earth, united in a single piece.
Chrysocolla carries the medicine of:
✧ Embodied truth & sovereign authentic expression
✧ Deep peace & emotional clarity
✧ Unlocking the voice of wisdom & heart-led purpose
✧ Walking in right relation with the earth & all of life
✧ Empowerment through alignment with one’s truth
✧ Creating sanctuary within oneself and for others
Silver carries the medicine of:
✧ Lunar energy & the sacred feminine within all beings
✧ Reflection — seeing oneself and the world with clarity
✧ Purification & cleansing of the energy field
✧ Amplifying the medicine of every stone it holds
✧ Ancient protection & the wisdom of the moon cycles
✧ Conducting healing energy directly into the body
✧ The tears of the moon — emotional depth & intuition
Manos del Inca was channelled for the queen and the king who feel the pull of ancient lineages. Who recognise in this piece something they cannot entirely explain — a familiarity, a resonance, a sense of having held something like this before in another time, another body, another lifetime in the highlands of Peru.
This piece asks only one thing — Remember where you come from.
Before leaving our hands, each piece is cleansed with mapacho, anointed with Agua Florida, and blessed through the sacred smoke of palo santo and copal — arriving to you already held, already blessed, already alive.